Interactive Media with Max - Student Work 2017

Since we have no class on monday i expect that you will DOWNLOAD AND INSTALL pd-extended for your computer. BLOG with some insight on some of the topics i suggested. Steve Reich and Phase Music Phillip Glass and Music with changing parts Terry Riley and Minimal Music [IN C ] and Rainbow in Curved Air La Monte Young [DRONES] You are also expected to make at least 3 compositions using LOOPS that you either download from Freesond or visit one of the two sites for REMIX http://www.bush-of-ghosts.com/remix/bush_of_ghosts.htm http://remix.nin.com/ Make sure in your AUDACITY PROJECTS you use 1.) Speeding sounds up 2.) Slowing sound down 3.) An effect [REVERB, EQ, COmpression] 4.) Explore NORMALIZATION to -6db as we discussed in class 5.) make a cut, chop something and re-arrange it with audacity 6.) try phasing things **remember my examples about out of phase! Also please go and explore and DOWNLOAD an .mp3 from UBUWEB and convert it to a .wav or .aiff with ITUNES. Try to weave these things

http://www.chnry.net/ch/?185-A-Muse&lang=en a-muse tries to hyperexpress movement’s interpretation through sound. the movement’s quality provoques musical nuance. With the sound feedback reactions, the performance reaches another degree of perception for the audience as well as for the perfomer. the performer wears sensors (bi-directionnal accelerometers) and the programming was done on puredata. the composition of dance and music were simultaneous on a prepared space (horizontal- half tone every 30cm & vertical an octave every 40cm) premiered in June 12, 2010 at Bains Numériques Festival #5, Enghien-les-Bains, France excerpts from a 20 min lenght solo

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Lets see if this link works for a tutorial of Pure Data files that will be of interest to us our class proceeds. Project Files http://puredata.info/docs/tutorials/

Hey Pat, This is my project I made inside Logic Pro. I got the sounds from free sound.org and exported it into logic via soundflower. Attached is a logic screen shot of my composition. I made 2 compositions, the first is a live recording directly from my web browser which is the channel in red. (in the screen shot, but I didn't upload it.) For the second composition I recorded each sound in an individual channel and mixed/bounced it afterward.

Just something interesting that I found in Gene Youndblood's Expanded Cinema (note: the text is 40 years old): 'Just as cinema has imitated theatre for seventry years, television has imitated cinema imitating theatre for twenty-five years.' It makes me wonder where dance fits into everything. Contemporary (modern, post-modern, etc.) dance came into play hundreds of years after theatre as we know it had been established. Obviously, we are now in the digital media stage--another step removed from the theatre but still within that chain, medium to medium. And in recent history (the last hundred years or so) modern dance has had its place in the theatre. I feel like the digital performance could be a step in the direction of enhancement, not imitation. The stucture in which most dance artists make work allows them to control each element in their performances. Digital media can aid them in building a specific feeling or image and can also be used to randomize performance. One o

You were asked to Join Freesound Download and install Audacity for your computer Download and install Soundlower if you own a mac find 5 unique sounds from freesound use firefox to start playing with a soundscape idea you will try to record the sound I pointed at a link for inspiration and a possible online text it's called expanded cinema hopefully something there might inspire you